The Craftsman names a basic human impulse: the desire to do a job well for its own sake. Although the word may suggest a way of life that waned with the advent of industrial society, Sennett argues that the craftsman’s realm is far broader than skilled manual labor; the computer programmer, the doctor, the parent, and the citizen need to learn the values of good craftsmanship today.
The Craftsman leads Richard Sennett across time and space, from ancient Roman brickmakers to Renaissance goldsmiths to the printing presses of Enlightenment Paris and the factories of industrial London. History has drawn fault lines dividing practice and theory, technique and expression, craftsman and artist, maker and user; modern society suffers from the historical inheritance. But the past life of craft and craftsmen also suggests ways of using tools, organizing work, and thinking about materials that remain alternative, viable proposals about how to conduct life with skill.